Untitled # 85, 86, 87

These three installations were research work during a residency period at the Aomori Contemporary Art Centre in Aomori, Japan.

while exploring my interest into kinetic installations, this work was a direct response to some books I was reading at that time, relating to international agricultural policy and the consequencial social and environmental imapct of these policies. However, the spartan use of materials and technique allow for multiple interpretations. These experiments led eventiually to the large scale installation Untitled# 104

before start